Bits of Olive
Before it happened, Allan had spend five excruciatingly long months attending the final details of his master piece; weird, one may think, since he had finished a fully praisable oil?clearly first-class?just twenty-three days after the first brush. Annabel, his daily muse and loveable companion, con...
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| Formato: | Online |
| Idioma: | spa |
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Escuela de Lenguas Modernas, Universidad de Costa Rica
2011
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| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/9622 |
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RLM9622 |
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RLM96222020-04-21T16:09:48Z Bits of Olive Delgado, O.S. short story cuento Before it happened, Allan had spend five excruciatingly long months attending the final details of his master piece; weird, one may think, since he had finished a fully praisable oil?clearly first-class?just twenty-three days after the first brush. Annabel, his daily muse and loveable companion, constantly emphasized the wholeness of the artwork and often commented on both, the artist and the picture, about each having in them particularities that rendered them unique, odd, and above all beautiful. But Allan relentlessly discharged her complements as they were, he thought, exceedingly influenced by the overwhelming seduction of her own features competently imprisoned in the canvas and, of course, the profound love between them. Escuela de Lenguas Modernas, Universidad de Costa Rica 2011-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Article Artículo Text application/pdf https://revistas.ucr.ac.cr/index.php/rlm/article/view/9622 Journal Of Modern Languages; Núm. 15 (2011) Revista de Lenguas Modernas; Núm. 15 (2011) 2215-5643 1659-1933 spa https://revistas.ucr.ac.cr/index.php/rlm/article/view/9622/9067 |
| institution |
Universidad de Costa Rica |
| collection |
Revista de Lenguas Modernas |
| language |
spa |
| format |
Online |
| author |
Delgado, O.S. |
| spellingShingle |
Delgado, O.S. Bits of Olive |
| author_facet |
Delgado, O.S. |
| author_sort |
Delgado, O.S. |
| description |
Before it happened, Allan had spend five excruciatingly long months attending the final details of his master piece; weird, one may think, since he had finished a fully praisable oil?clearly first-class?just twenty-three days after the first brush. Annabel, his daily muse and loveable companion, constantly emphasized the wholeness of the artwork and often commented on both, the artist and the picture, about each having in them particularities that rendered them unique, odd, and above all beautiful. But Allan relentlessly discharged her complements as they were, he thought, exceedingly influenced by the overwhelming seduction of her own features competently imprisoned in the canvas and, of course, the profound love between them. |
| title |
Bits of Olive |
| title_short |
Bits of Olive |
| title_full |
Bits of Olive |
| title_fullStr |
Bits of Olive |
| title_full_unstemmed |
Bits of Olive |
| title_sort |
bits of olive |
| publisher |
Escuela de Lenguas Modernas, Universidad de Costa Rica |
| publishDate |
2011 |
| url |
https://revistas.ucr.ac.cr/index.php/rlm/article/view/9622 |
| work_keys_str_mv |
AT delgadoos bitsofolive |
| _version_ |
1811741473851310080 |