Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five”
The following work draws a comparison between the images and symbols of time in T. S. Eliot’s “Burnt Norton” and Kurt Vonnegut’s “Slaughter- house-Five.” In spite of the texts’ different genres, styles and background, they express similar sentiments, and they match the use of several sym- bols. B...
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Escuela de Lenguas Modernas, Universidad de Costa Rica
2018
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Acceso en línea: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/32067 |
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RLM320672020-07-23T17:44:54Z Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” Rojas Castro, Esteban time possibility death humanity experience T. S. Eliot Vonnegut tiempo posibilidad muerte humanidad experiencia time possibility death humanity experience T. S. Eliot Vonnegut tiempo posibilidad muerte humanidad experiencia The following work draws a comparison between the images and symbols of time in T. S. Eliot’s “Burnt Norton” and Kurt Vonnegut’s “Slaughter- house-Five.” In spite of the texts’ different genres, styles and background, they express similar sentiments, and they match the use of several sym- bols. By doing so, they develop noticeably analogous concepts, such as ever-present time, the ambivalent relationship of humanity with the realm of possibility, and the overestimation of death. En este artículo se hace una comparación entre las imágenes y símbolos del tiempo en “Burnt Norton” de T. S. Eliot y “Slaughterhouse-Five” de Kurt Vonnegut. A pesar de los géneros, estilos y trasfondos diferentes de los textos, ambos expresan opiniones similares y concuerdan en el uso de varios símbolos. Al hacer esto, desarrollan conceptos notable- mente análogos, tales como el tiempo presente perpetuo, la relación ambivalente de la humanidad con el reino de la posibilidad y la sobre- valoración de la muerte. The following work draws a comparison between the images and symbols of time in T. S. Eliot’s “Burnt Norton” and Kurt Vonnegut’s “Slaughter- house-Five.” In spite of the texts’ different genres, styles and background, they express similar sentiments, and they match the use of several sym- bols. By doing so, they develop noticeably analogous concepts, such as ever-present time, the ambivalent relationship of humanity with the realm of possibility, and the overestimation of death. En este artículo se hace una comparación entre las imágenes y símbolos del tiempo en “Burnt Norton” de T. S. Eliot y “Slaughterhouse-Five” de Kurt Vonnegut. A pesar de los géneros, estilos y trasfondos diferentes de los textos, ambos expresan opiniones similares y concuerdan en el uso de varios símbolos. Al hacer esto, desarrollan conceptos notable- mente análogos, tales como el tiempo presente perpetuo, la relación ambivalente de la humanidad con el reino de la posibilidad y la sobre- valoración de la muerte. Escuela de Lenguas Modernas, Universidad de Costa Rica 2018-01-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Article Artículo evaluado por pares application/pdf application/pdf application/epub+zip https://revistas.ucr.ac.cr/index.php/rlm/article/view/32067 10.15517/rlm.v0i27.32067 Journal Of Modern Languages; No. 27 (2017) Revista de Lenguas Modernas; Núm. 27 (2017) 2215-5643 1659-1933 10.15517/rlm.v0i27 spa eng https://revistas.ucr.ac.cr/index.php/rlm/article/view/32067/31752 https://revistas.ucr.ac.cr/index.php/rlm/article/view/32067/31753 https://revistas.ucr.ac.cr/index.php/rlm/article/view/32067/35693 |
institution |
Universidad de Costa Rica |
collection |
Revista de Lenguas Modernas |
language |
spa eng |
format |
Online |
author |
Rojas Castro, Esteban |
spellingShingle |
Rojas Castro, Esteban Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” |
author_facet |
Rojas Castro, Esteban |
author_sort |
Rojas Castro, Esteban |
description |
The following work draws a comparison between the images and symbols of time in T. S. Eliot’s “Burnt Norton” and Kurt Vonnegut’s “Slaughter- house-Five.” In spite of the texts’ different genres, styles and background, they express similar sentiments, and they match the use of several sym- bols. By doing so, they develop noticeably analogous concepts, such as ever-present time, the ambivalent relationship of humanity with the realm of possibility, and the overestimation of death.
En este artículo se hace una comparación entre las imágenes y símbolos del tiempo en “Burnt Norton” de T. S. Eliot y “Slaughterhouse-Five” de Kurt Vonnegut. A pesar de los géneros, estilos y trasfondos diferentes de los textos, ambos expresan opiniones similares y concuerdan en el uso de varios símbolos. Al hacer esto, desarrollan conceptos notable- mente análogos, tales como el tiempo presente perpetuo, la relación ambivalente de la humanidad con el reino de la posibilidad y la sobre- valoración de la muerte.
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title |
Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” |
title_short |
Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” |
title_full |
Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” |
title_fullStr |
Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” |
title_full_unstemmed |
Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” |
title_sort |
deconstructed timeline: the new figure of time in “burnt norton” and “slaughterhouse-five” |
title_alt |
Deconstructed Timeline: The New Figure of Time in “Burnt Norton” and “Slaughterhouse-Five” |
publisher |
Escuela de Lenguas Modernas, Universidad de Costa Rica |
publishDate |
2018 |
url |
https://revistas.ucr.ac.cr/index.php/rlm/article/view/32067 |
work_keys_str_mv |
AT rojascastroesteban deconstructedtimelinethenewfigureoftimeinburntnortonandslaughterhousefive |
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1811741534690738176 |