Return Home: Photographic Report of a Journey
Since the beginning of the new millennium a new generation of photographers in China decided to take a journey in the reverse direction, to return from the Chinese big cities or from abroad and travel back to the places of their origin. Even though each of them developed their works with a personal...
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| Formato: | Online |
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Editorial Sede del Pacífico, Universidad de Costa Rica
2022
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| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/riea/article/view/49609 |
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RIEA496092022-01-02T04:02:57Z Return Home: Photographic Report of a Journey Return Home: Photographic Report of a Journey FIGLIULO, ROBERTO Chinese photography Return Sense of place Homeland Urban development Chinese Photography, Return, Sense of place, Homeland, Urban development. Desde el principio del nuevo milenio una nueva generación de fotógrafos en China decidió embarcarse en un viaje en dirección contraria, volver desde las grandes metrópolis chinas o desde el extranjero y viajar a sus lugares de origen. Aunque cada uno de ellos desarrolla sus trabajos con un toque personal y representa escenas particulares, todos se centran en la misma dirección de su viaje: volver a casa. Me refiero a fotógrafos como Zeng Han, Su Jiehao, Mu Ge, Zhu Lanqing, Zhang Wenxin and Zhang Xiao. Fotógrafos con diferentes orígenes y edades, que parece han decidido emprender el mismo camino. No se quiere sugerir un nuevo patrón, ni introducir una nueva tendencia en la fotografía contemporánea china. Sino quiero mostrar como estos trabajos fotográficos comparten intenciones y sentimientos comunes en un periodo de irrefutable cambio. Since the beginning of the new millennium a new generation of photographers in China decided to take a journey in the reverse direction, to return from the Chinese big cities or from abroad and travel back to the places of their origin. Even though each of them developed their works with a personal approach and depicted particular scenes, they all focused on the same direction of their path: returning home. I refer to photographers such as Zeng Han, Su Jiehao, Mu Ge, Zhu Lanqing, Zhang Wenxin and Zhang Xiao. Photographers with different origin and different age, who seem to have decided to undertake the same path. I do not want to suggest a new pattern and neither introduce a new tendency in contemporary Chinese photography. But I want to show how these photographic works shared common intentions and feelings in a period of irrefutable changes. Editorial Sede del Pacífico, Universidad de Costa Rica 2022-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.ucr.ac.cr/index.php/riea/article/view/49609 10.15517/riea.v1i1.49609 International Journal of Asian Studies; Volume 1, Issue 1 (January - June, 2022); 122-146 Revista Internacional de Estudios Asiáticos; Volumen 1, Número 1 (Enero-Junio, 2022); 122-146 2215-6623 10.15517/riea.v1i1 eng https://revistas.ucr.ac.cr/index.php/riea/article/view/49609/49715 https://revistas.ucr.ac.cr/index.php/riea/article/view/49609/49716 Derechos de autor 2022 ROBERTO FIGLIULO |
| institution |
Universidad de Costa Rica |
| collection |
Revista Internacional de Estudios Asiáticos |
| language |
eng |
| format |
Online |
| author |
FIGLIULO, ROBERTO |
| spellingShingle |
FIGLIULO, ROBERTO Return Home: Photographic Report of a Journey |
| author_facet |
FIGLIULO, ROBERTO |
| author_sort |
FIGLIULO, ROBERTO |
| description |
Since the beginning of the new millennium a new generation of photographers in China decided to take a journey in the reverse direction, to return from the Chinese big cities or from abroad and travel back to the places of their origin. Even though each of them developed their works with a personal approach and depicted particular scenes, they all focused on the same direction of their path: returning home.
I refer to photographers such as Zeng Han, Su Jiehao, Mu Ge, Zhu Lanqing, Zhang Wenxin and Zhang Xiao. Photographers with different origin and different age, who seem to have decided to undertake the same path.
I do not want to suggest a new pattern and neither introduce a new tendency in contemporary Chinese photography. But I want to show how these photographic works shared common intentions and feelings in a period of irrefutable changes. |
| title |
Return Home: Photographic Report of a Journey |
| title_short |
Return Home: Photographic Report of a Journey |
| title_full |
Return Home: Photographic Report of a Journey |
| title_fullStr |
Return Home: Photographic Report of a Journey |
| title_full_unstemmed |
Return Home: Photographic Report of a Journey |
| title_sort |
return home: photographic report of a journey |
| title_alt |
Return Home: Photographic Report of a Journey |
| publisher |
Editorial Sede del Pacífico, Universidad de Costa Rica |
| publishDate |
2022 |
| url |
https://revistas.ucr.ac.cr/index.php/riea/article/view/49609 |
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