Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias
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Universidad Nacional (Costa Rica)
2022
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| Acceso en línea: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/16569 |
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ISTMICA16569 |
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ISTMICA165692022-02-16T23:42:20Z Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias Contrapuntos de la “heroica” a la “fantástica”: institucionalización de la música nacional, prácticas de resistencia “negras” “populares” e interculturalidad en Cartagena de Indias Cabarcas Ortega, Marcelo José cultural resistance, hybridity, counterpoint, vernacular music and culture, Colombian Caribbean resistencia cultural, hibridez, contrapunteo, música y cultura popular, Caribe colombiano This paper depicts popular music as both hybrid dynamics and space of symbolic and material resistance, that is, as an interplay between canonic and subalternized cultural forms. It departs from the idea of hybridity to analyze the adaptability and resistance of cultural movements and, in such way, reflect on the past and present of specific Colombian Caribbean’s societal settings. Three aspects are addressed here to this end: first, the institutionalization of high-end national music and its impact on shaping the vernacular; second, the relationship between the official culture and the “popular”, black, vernacular practices; and third, the interactions between the hegemonic and the subordinate as a means of reconfiguring daily life’s rhythms and styles. The standpoint of this text is essay-like and interdisciplinary, pertaining to cultural studies, and its aim is to contribute to the current debates on culture, marginalization and resistance in the Colombian Caribbean, in particular, and the Hispanic Caribbean, in general. Este trabajo entiende lo musical como dinámica cultural híbrida y como espacio de resistencia simbólica y material, corporal y subjetiva, que se manifiesta entre formas culturales hegemónicas y subalternizadas. Se parte de la idea de hibridez para analizar la capacidad de adaptación y resistencia de los movimientos culturales y, por esa vía, reflexionar sobre el universo social del Caribe colombiano. Tres aspectos se estudian con este fin: primero, los procesos de institucionalización de la música nacional y su impacto en la conformación de la música popular; segundo, las relaciones entre la cultura oficial y las prácticas negras “populares”; y tercero, la interacción entre lo hegemónico y lo subordinado como medio de reconfiguración de los ritmos y estilos cotidianos. Este texto parte de una perspectiva ensayística e interdisciplinar, propia de los estudios culturales, para contribuir a los debates sobre cultura, marginación y resistencia en el Caribe colombiano, en particular, e hispánico, en general. Universidad Nacional (Costa Rica) 2022-01-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion (sección arbitrada) application/pdf text/html application/epub+zip audio/mpeg https://www.revistas.una.ac.cr/index.php/istmica/article/view/16569 10.15359/istmica.29.3 ÍSTMICA. Revista de la Facultad de Filosofía y Letras; Vol. 1 Núm. 29 (2022): Acuerpar al Caribe; 27-43 2215-471X 1023-0890 spa https://www.revistas.una.ac.cr/index.php/istmica/article/view/16569/24206 https://www.revistas.una.ac.cr/index.php/istmica/article/view/16569/24207 https://www.revistas.una.ac.cr/index.php/istmica/article/view/16569/24208 https://www.revistas.una.ac.cr/index.php/istmica/article/view/16569/24209 Derechos de autor 2022 ÍSTMICA. Revista de la Facultad de Filosofía y Letras |
| institution |
Universidad Nacional de Costa Rica |
| collection |
Ístmica: Revista de la Facultad de Filosofía y Letras |
| language |
spa |
| format |
Online |
| author |
Cabarcas Ortega, Marcelo José |
| spellingShingle |
Cabarcas Ortega, Marcelo José Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias |
| author_facet |
Cabarcas Ortega, Marcelo José |
| author_sort |
Cabarcas Ortega, Marcelo José |
| title |
Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias |
| title_short |
Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias |
| title_full |
Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias |
| title_fullStr |
Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias |
| title_full_unstemmed |
Counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in Cartagena de Indias |
| title_sort |
counterpoints from the “heroic” to the “fantastic”: institutionalization of national music, “black” “popular” resistance practices and interculturality in cartagena de indias |
| title_alt |
Contrapuntos de la “heroica” a la “fantástica”: institucionalización de la música nacional, prácticas de resistencia “negras” “populares” e interculturalidad en Cartagena de Indias |
| publisher |
Universidad Nacional (Costa Rica) |
| publishDate |
2022 |
| url |
https://www.revistas.una.ac.cr/index.php/istmica/article/view/16569 |
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